Critisism on Curleys Wife Essay

For Of Mice and custody is a Tragedy, a tragedy non in the narrow modern sense of a mere sad story (though it certainly is that), alone a tragedy in the classic Aristotelian/Shakespeargonan sense of showing humankinditys exercise of greatness through and in spite of defeat. Some stack seem to believe that the voice of literature is to provide vicarious happy endings, to provide in words a bootyy sweetness we would interchangeable to have but cannot al steerings claim in authentic life. To such people, professedly literary tragedy is distasteful. But the greatest writers and the best readers have it off that literature is not always only mere sugar candy it can or so clocks be a strong medicine sour perhaps at least to the untrained taste but necessary for continued health. Some readers may object to the hold ups presentation of low class characters, vulgar language, scenes suggestive of improper sexual conduct, and an implied criticism of the favorable system. But none of this is presented indecently, or beyond the ordinary norms of contemporary literature. Comp ard to many modern works, (or to movies and TV) this book is manageable indeed.Furthermore, these features are necessary in this book in two ways. First, they are part of the accurate meticulous reporting of the reality of a particular clipping and place and environ workforcet. Part of Steinbecks literary manoeuver is that this is aline to life. As such, the dirty details are part of Steinbecks enlargement of the realm of Tragedy, the democratization of the tragic humanity. Traditionally, the subjects of Tragedies have been Kings and other Great Ones Job, Oedipus, Lear. But Steinbecks point a truly American point is that all men are created equal Tragedy exists all the same among the lowly of the earth even the least of us even a Lennie or a George has the human potential for tragic nobility. Of Mice and manpower is a tragedy in the modern tradition of The Hairy Ape and D eath of a Salesman. Second, the vulgarity is a way of presenting briefly the complex turmoil of life. This book is not stereotype melodrama. It is not a unsophisticatedminded book.There are no purely bad people in it. Conversely, in that location are no purely slap-up people in it either. All the characters are complex mixtures of reasoned and bad, or instead of bad results from good intentions. They are all in their ability and in their outlook curb. And they live in a gross and dirty world. Given their position in that world, they are not able to chance on much. But they are trying to do the best they can they are trying to be good people and to have good lives. They have good intentions. They have noble labours. The tragedy is that, limited as the characters are, the world they live in is even more limited it is a world in which the simplest inspiration of the simplest man poor dumb huge Lennie cannot come true. The best laid plans of mice and men gang a great dea l a-glae go oft a-stray, wrote Robert Burns in the poem which provides the books title and its theme. And Steinbecks story shows wherefore The best laid plans go oft astray because they come in conflict with one another.The simplest good intention simply to stay alive of a simple mouse, a simple pup, a simple young woman, is thwarted by Lennies urge to pet some subject meek and beautiful. Lennies drive to equal beauty kills the amours he loves. But his problem is the same problem that bothers Curley, the Bosss son, the closest thing to a villain in the book. Like Lennie, Curley doesnt know how to hold on to what he suffers substantial his young wife, his status as the Bosss son, his reputation as a man. He loses for individually one by trying to hold on too tightly. Curleys aim to be a esteem husband/boss/man is foiled by his induce limited abilities. The similar but simpler aim of Lennie and George to have a small place of their own where they can live offa the fecundt a the lan is doomed to frustration also by their own limitations and the tragic chain of circumstance and coincidence that ends with Lennie dead by Georges hand.The point, of course, is that they all we all live in a too limited world, a world in which not all our dreams can come true, a world in which we all of us some of the time and some of us all the time are doomed to disappointment. The tragic dilemma is that for our rudimentary humanity, for the goodness of our aims, we all deserve better than we get. But because of our human limitations, by our weaknesses of character, none of us is incessantly good enough to earn what we deserve. Some philosophers, seeing this dilemma, pronounce profound pessimism for humanity. Some religions promise for this worlds disappointments supernatural intercession and other-worldly compensations. The tragic viewpoint (the view of Shakespeare, the Greek tragedians, the Old Testament Job, and arse Steinbeck) finds in it the chance for nobili ty of soul even in the blackest of disappointments, a human can win individual greatness. One may be defeated physically but one need not be crushed spiritually.One can remain true to ones dream and true to ones friend. We humans may die, but we can love one another. Friendship. Love. That too is what Of Mice and Men is all most. Lennie and George, disparate types, are, against all good reason, friends. They share a good dream. They love one another. They are too limited, too inarticulate, to know how to say it, but they do show it or rather Steinbeck shows it to us readers. So the book treats the great themes of Dreams and Death and Love with simple powerful clarity. It does so with a classically elegant structure another reason for using the book as a teaching utensil it allows a reader especially an untrained or beginning reader of literature to see (or be shown) how structure supports and presents content. Of Mice and Men has the classic situation/complication/twist/and/ resolution plot structure unclutter by diversions, distr saves, or subplots. There is inevitableness, a starkness that chooses the point of the story unavoidable.The story has the classic unities of time and place and action. It begins in a small spot of beautiful nature, a secluded camp in the woods by a pour out it moves to the buildings of a California ranch, and ends back in the woods by the stream. The style is simple clear, direct sentences of description and action, direct quotation of the speech of simple people. Few pine words, no hard words. The action is simple two poor and vagrant workers, big, dumb Lennie and small, clever George, coach jobs at a large ranch. Lennie has trouble with the Bosss son, Curley. Lennie accidentally more or less(prenominal) kills Curleys wife. George kills Lennie to save him from the horrors of a lynch mob led by Curley, bent on revenge. The settings are simple in detail, and simply powerfully symbolic.The secluded spot in the woods by t he stream is the uncomplicated world of Nature the bunkhouse is the bleak home of hired on the job(p) men trying to make sense of their lives and gain comfort in a limited environment the barn is the place of working life, of seed and harvest, birth and death the harness room with Crooks bunk symbolizes social constraints the petty(a) place of our own about which George and Lennie dream and all too vaguely plan is the Paradise on earth we all hope for. The characters, too, are simple yet significant. Begin with an individual, and before you know it you find you have created a type, wrote F. Scott Fitzgerald begin with a type, and you find that you have created nothing. Steinbeck begins with individuals clearly and sharply crafted characters, a full set of individuals who are so clearly realized that each without surrendering individuality becomes a type, an archetype, a worldwide character There is edulcorate, the old, one-armed worker with no place to go, as useless as his toothless dog there is Carlson, gruffly and deliberately unfeeling, who can coolly kill old Candys ancient dog simply because he stinks and he aint no good to you and there is Crooks, the dignified proud and aloof but helpless and lonely victim of racial discrimination.There is Slim, calm, reasonable, compassionate, the real leader of men. And there is Curley, the arrogant but inept Bosss son. The man who could lead closely does not have the position the one who has the position and the authority is not a true leader. Curley hides his insecurities tin can a mask of macho toughness. His competitive bravado makes him push too far and Lennie, after enduring much, is given permission by George to get him. Lennie in self-protection crushes Curleys fist in his own big hand, crippling Curley somewhat as Candy and Crooks have been crippled by the punitive mercilessness of life. Curley is also the one man who has a woman. But clearly he does not does not know how to relate to her as a person. She is to him a thing, a possession, a sex-object and a status symbol.For the men, in braggadocio, he flaunts the sexuality of the relationship and yet, out of his own self-doubts he is intensely jealous of the mens cognisance of her. The young woman has no name she is merely Curleys wife. She knows she wants and somehow deserves something better than this. I breakt like Curley, she says of her husband. She has grandiose ambitions of being a Hollywood star in the pitchers. She is a baffled little girl in a world of men whose knowledge of women is largely limited to memories of pleasing old ladies and rumors of casual prostitution. All these men are afraid of Curleys wife, afraid and aware that her gratis(p) animal appeal may lead them into temptation and trouble. In self-protection they avoid her. Only Lennie, in naive goodness, actually relates to her as a person to a person. She talks to him. For a little time they share in their aesthetic sense they both admire be auty. Unfortunately, she is too naive, and Lennie is too strong and clumsy.In trying at her invitation to pet her lovely hair he is panicked by her quick resistance, and ends by killing her. Just as he had earlier killed a puppy and a mouse. Curleys wife, a naive Romantic, wants love and essence in a harsh crude Naturalistic world Lennie, big and ignorant, tries to give love. But he is too weak in the mind, too strong in the body. His tenderness is too powerful for weaker, unsuspecting creatures. We readers can identify with Lennie. We sympathize we empathize. We care. We have most of us been in his position not quite able to cope with the complexities of the world near us, wanting only security, peace, comfort, and something soft and beautiful to pet and love. Perhaps one reason that this book has evoked controversy and censorious action is that it is so simple and clear and easy to understand and so painful It hurts to read this book. And some people dont like their books t o hurt them they want soothing.But great Tragedy is meant to hurt. One neednt subscribe wholly to the Aristotelian doctrine of catharsis by Art to see that one function of literature is to help us deal with the pain of real life by practicing with the vicarious mental strain of tragic art. Of course Of Mice and Men contains unpleasant attitudes there is brutality, racism, sexism, economic exploitation. But the book does not counselor them rather it shows that these too-narrow conceptions of human life are part of the cause of human tragedy. They are forces which frustrate human aspiration. Lennie and George have a noble dream. They are personally too limited to make it come true, but they do try. They try to help each other, and they even enlarge their dream to include old one-handed Candy and crippled black Crooks.Theirs is the American Dream that there is somehow, somewhere, sometime, the possibility that we can make our Paradise on earth, that we can have our own self-sufficien t little place where we can live off the fat of the land as peaceful friends. What is sad, what is tragic, what is horrible, is that the Dream may not come true because we are each and all of us too limited, too selfish, too much in conflict with one another. perchance ever-body in the whole damn world is scared of each other, says Slim. And George expresses the effects of loneliness, Guys that go around alone dont have no fun. After a long time they get mean. They get wantin to fight all the time. What is ennobling in this tragedy of mice and men is the Revelation of a way beyond that loneliness and meanness and fighting, a way to rise above our human limitations Two men Lennie and George who have nothing else, do have each other.We kinda look after each other. says George. And they do have their Dream. And the Dream is there even in the final defeat. For in the end the one thing George can do for Lennie is to make sure hes happy as he dies. He has Lennie look acrost the river you can almost see the place. And as Lennie says, Lets get that place now, George kills him mercifully. Its a horrible thing to do, and George knows that. And we know that. But in this limited world in this limited way it is all that George can do for his friend. And he does it.That is the horror and the nobility which together make up Tragedy. The Tragic pattern closes. There is a sense of completeness, of both defeat and satisfaction. In Of Mice and Men, Steinbeck has shown us something about the pain of living in a complex human world and created something beautiful from it. In true great literature the pain of Life is transmuted into the beauty of Art. The book is worth reading for a glimpse of that beauty and worth teaching as a way to show others how such beauty works.